One Year After Leaving Full Frame and Shooting Weddings with Fujifilm X-T3 – Did it Work?

Fujifilm for Weddings

Reggie Ballesteros switched from full frame to Fujiiflm APS-C, and after one year of work, he sums up his experience in a 34 minutes long video (see below).

His camera of choice is the Fujifilm X-T3 (now with big savings)

Down below a summary:

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Fujifilm APS-C Crop is Cr&p and These Images Prove Only Full Frame Delivers – #photosfujicanttake

Tuscany: Look at that terrible Dynamic Range // Dolomites: what a pain those horrible colors // Woman + Kid: that 56/1.2 rendering just destroyed every portrait

Fuji Crop is Crap

How often have we heard influcencers says that Fujifilm is not a professional system, because it is not full frame.

How often have super talented photographers, who hide behind anonymous forum accounts with no portfolio, said that Fujifilm APS-C is not good enough to keep up with their immense talent and creativity.

How often have professional photo reviewers given scientific proof that Fujifilm APS-C can hardly beat an iPhone in terms of image quality.

How often have we heard about how impossible X-Trans files are to edit.

How often have we heard youtubers complaining about the slow manual controls on Fuji cameras, making it impossible to take pictures, because you have to spend half an hour turning dials before pressing the shutter.

And today I will prove, that they were all right!

In the spirit of one of my favorite Fuji blogs, photosfujiscanttake.com, I will list below a series of images, so horrible and painful to the eyes due to the limitations of the APS-C sensor, that you will immediately agree with forum experts, that APS-C is not for Pros.

If you are brave enough, check out the images below.

There is everything wrong, the colors, the dynamic range, the noise, the moments.

Thanks to all members of our gigantic Fujifilm X-T group for providing us these samples.

NOTE: is your sarcasm detector switched on? ;)

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SEE THE IMAGES AT YOUR OWN RISK BELOW

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Did the Panasonic S1/R Fiasco Prove FUJIFILM Did Well to Skip Full Frame?

The Mirrorless Endgame

Some of you think that talking about “mirrorless endgame” or “mirrorless war” is a bit too dramatic. And yes, I actually agree with that, but also not!

I explain:

War” or “Endgame” suggest an epic fight with violent ending. That will definitely not happen. At least not with all camera brands.

While Samsung joined the mirrorless market spectacularly with the Samsung NX1 and left just as spectacularly, by capitulating overnight, other brands will quietly disappear, reducing their products cycles, their innovations, and one day, silently, just stop it all.

The harsh truth is: in a camera market shrinking that fast, it is not plausible to think that everybody will continue grow and prosper.

So we are in the endgame now.

The good news for us customers is: companies lower their prices, beef up their cameras, race for innovation, cover us with firmware love, and fight for every single one of us.

We, the customers, win in any case ;).

About Skipping Full Frame

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DPReview Fujifilm Managers Interview: “No Need to Open X Mount, AI and Global Shutter are the Future, GFX100 Within End of June”

DPReview interviewed Toshi Iida, Makoto Oishi and Shin Udono. Here are the main points (full interview at dpreview here):

Medium Format

  • Full Frame and Medium Format will coexist
  • GFX 50R sales look very promising
  • FF is 1/3 of market in terms of value, slightly growing
  • MF was 1%, but doubled after GFX introduction
  • 70% of MF buyers were coming from other brands, mainly DSLR, and the GFX is their additional system
  • 20% of GFX users are professionals, 80% non-professionals (especially GFX 50R users)
  • Fujifilm wants to increase professional base, also thanks to Capture One support and with future GFX 100
  • Fujifilm GFX 100 should show the potential of medium format
  • FF can reach 70-80 Megapixel
  • GFX lenses designed for 100MP resolution
  • Fujifilm GFX100 will be available before the end of June
  • Fujifilm GFX100 target is commercial photographers, fashion, landscapes, but also more general purpos
  • GFX 100 will shoot at 16bit RAW. Benefit noticeable mostly at low ISO and deep shadow detail. 4 times the amount of data, 14 bit lets you shoot faster, which is appropriate for APS-C

APS-C vs Full Frame

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Five Reasons to Switch to Fujifilm for Weddings, From Full Frame DSLR to Fuji X, Worth it? and More Switch Stories

Fuji X Switch Stories

FujiRumors is a 100% independent space.

I don’t get free or discounted gear from Fujifilm, I don’t get special customer service, I don’t get invitations and free flights/hotels to launch parties, I don’t get free t-shirts or hats… and that’s good so.

I wake up, I go to work, I come back home, I blog and I write whatever I want.

This independency allows me to write for example articles like the ones below, that Fujifilm surely did not appreciate:

So actually I don’t think there is one brand out there, that we attacked more than Fujifilm ;).

But my job is not to make Fujifilm happy, but to be loyal to those of you, who decide to read this blog. And hence, I will report everything. Fujifilm does not pay me a penny, and if this blog runs at all, it’s only because you decide to support it.

On the other hand, I can’t hide that I simply fell in love with Fujifilm many years ago, and it’s a love that gets stronger as the years pass by.

So, while I will keep up delivering you everything, every now and then, I also feel like sharing some good switch stories of people, who talk so passionate about Fujifilm.

It’s the same enthusiasm that caught me many years ago, hence, I will share a few of these stories today.

Check them out or not, it’s up to you.

Enjoy your weekend, love you all (even if don’t shoot Fuji ;) )
Patrick

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Switch to Fuji X

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