As we reported earlier this month, Fujifilm discovered a bug in twelve of their cameras.
Six cameras got a firmware update to fix the bug today, whereas the rest of the cameras will get it later this month.
You find all the details down below, as well as the download links.
It finally happened. After a bit over a year, the Fujifilm GFX100S is now in stock at BHphoto here.
The GFX100S is a rare good to find in stock still today. So, if you are interested, maybe it’s best not to delay further.
I own the GFX100S and if all you dream of is the best possible image quality at a reasonable price and size package, then look no further, the GFX100S is it.
On the 26th of January 2021 my son was born.
On the 27th of January 2021 the Fujifilm GFX100S was announced.
Fast forward to the 29th of January 2022, and you can find the staggaring number of two Fujifilm GFX100S in stock at Moment.
One year later, the GFX100S is still a rare good on the market.
5 years ago Fujifilm’s decision became obvious to all of us: unlike everybody else, we are going to skip full frame, build up the best APS-C system in the known universe and offer as an alternative to full frame a medium format mirrorless system. The result: the Fujifilm GFX system.
And well, the Fujifilm GFX series turns 5 years old today.
It all started with the launch of the original Fujifilm GFX50S on January 19 and the slogan “The Game has Changed”.
I remember at that time lots of skeptical comments, especially by influencers who believe that only full frame matters.
But looking back, I guess much of that skepticism has dissipated by now, given that Fujifilm is now offering medium format mirrorless cameras (GFX100S) that are smaller than some full frame mirrorless cameras (Panasonic S1 series) and offer more megapixel at a more affordable price than some full frame mirrorless cameras (Sony A1).
Sure, all the cameras we mentioned above have other strengths, such as video or speed, but all I want to say is that the Fujifilm GFX series is finding a solid ground on which to flourish.
So here we are, 5 years, 5 GFX cameras and 13 lenses later (with more to come) to celebrate a wonderful system that has a terrific potential for the future, as I explained here.
Congratulations Fujifilm.
Sieh dir diesen Beitrag auf Instagram an
Alex Barrera wonders: is medium format worth it?
In an attempt to figure out the answer, he shared a blind test using the following gear:
In the blind test, all images marked with “A” belong to one camera and all images marked with “B” belong to the other camera.
I did my the test myself, and honestly, right at the very first image comparison (see image below) I thought “oh please let “A” be the the Fujifilm GFX100S“. And lucky me, camera “A” is indeed the Fujifilm GFX100S.
Megapixel had not much to do with my preference. It’s a compressed youtube video, how could that matter. Megapixel matter more when you work with the files in post, or when you print.
My preference had more to do with the output of the Fujinon GF80mmF1.7 lens itself, which is very similar in terms of shallow depth of field to the RF 50mm f/1.2 L, but the bokeh looked just more pleasing in my eyes. Then there are other subjective elements like the colors (Provia in this case) and so forth. Overall, I mostly picked A (GFX100S).
But what about Alex? Is medium format worth it?
No, it’s not worth it, and here is why:
